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PEN American Center

November 20, 14

I'm obsessed with manhood as a brutal and artful performance. My mind always finds its way back to the crossroad where sex, race, and power collide. Read More  »

November 11, 14

War may be the ultimate subject. Its truth is elusive. They say only the dead know war. Read More  »

October 29, 14

[W]riters have to write, even under threat. I think often of Tahar Djaout’s words: “If you speak, you die / If you are silent, you die / So speak and die.” Read More  »

October 24, 14

I sometimes used to describe my time in Montreal as an unmitigated catastrophe, but that was untrue. I got a novel out of it. Read More  »

October 22, 14

I think that publishers and editors have a great deal of responsibility, but I’m not sure that writers do. Write the best book you possibly can. That’s it. Read More  »

October 20, 14

Is the conscience the soul’s surveillance of the self? When are observations neutral? Does a writer, even without knowing, intend to “use” observations for the benefit of the writing in a way that is markedly different from the way advertisers...Read More  »

October 2, 14

"For me, there’s something about that in-between genre—part diary, part poem, part letter to the world—that felt both fascinating and important." Read More  »

September 30, 14

Writing about my family in a memoir was about as daring as it gets ... I was sure that when the book came out I was going to be ostracized not only by my family but by everyone I knew. Read More  »

September 24, 14

Dear James Baldwin, How do you think psychotherapy would have changed your writing? Read More  »

September 16, 14

Suddenly seeing myself as a writer-of-facts changed the way I looked at reality—so it was sort of a double-edged occasion. Guaranteed impediment to having a good time: knowing you'll have to write about it. Read More  »

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