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2007 World Voices
Home and Away
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How do we define the places we live and how do they define us?

For this year's Festival, PEN World Voices brings together writers from around the world to discuss their relationships to their own and each others’ homes; the political and social implications of concepts like homelands; and how literature helps us negotiate the divide between the familiar and the strange, the mundane and the exotic.

Please join the discussion by reading the following essays by World Voices participants and posting your comments.

Festival authors: Contribute your writing to this collection.



Dorothea Dieckmann on Home & Away
When home is where you come from, aren’t you always away? On all your ways you want to come home again, trying to find a way. Always away on all ways home. A way away, a road abroad. >> More



Pico Iyer on Home & Away
Home exists somewhere in the future for many of us—an idea, a vision, a language or set of values that we carry around inside ourselves and that has more to do with where we’re going than with where we came from. >> More



Lee Stringer on Home & Away
You may be without a roof over your head but there is always some bench, some alleyway, some patch of earth, some part of the city to which, when all else of the day is said and done, you return. >> More



Jo Tatchell on Home & Away
It is our memories that play the greatest trick of all, pulling the poles together, so that we are able to exist in both the past and the present at once, always far away in our memories of old homes and perfectly at home in the grand, exotic away. >> More

 
Nabeel Yasin on Home & Away
The exile was a poetic idea in the poetry I wrote in Iraq, an existential sensation about expatriation in time and other people. I explored the complexity, the mix of feelings about birth and death, love and departure, pain and pleasure, the maze and the horizon. >> More


Saadi Youssef on Home & Away
Exile includes the idea of abrogation—abrogating the relationship of the individual with heaven, earth and society. There is a vertical line connecting heaven—where the worshipped is—with earth—where the ancestors lie in the long repose of death. And then is a horizontal line ordering the village or the town where homes, memories and childhood playgrounds are. >> More

4 Comments | Add a Comment
 
4-27-07 4:19PM: amy paul said...

I attended the talk with Travel Writer Pico Iyer.
I was eager to understand how Iyer positions himself as an English-language writer/ American/global citizen- who encounters "the strange", less than familiar.

Iyer unsettled categories of home/away by admitting his hybrid background and upbringing (India, US, UK, Japan) - and how trips to the LA airport or Jackson Heights- enables entry into diverse worlds/communities.

But LA airport is not just a curious multicultural place. Its a location of business travelers and hippies with backpacks who travel out of choice, while refugees and people on restricted visas and asylees and people who worked for their first trip home in decades- often dont speak the same language.

Given the history of colonialism/orientalism endemic to travel writing, I was hoping the conversation would go beyond "we are all human, all vulnerable, all have something to learn" rhetoric.
Sure Iyer has brown skin, it is not just white men traveling, just a little mor honesty pleas


4-2-07 10:36AM: Anastasia Ashman said...

I have always wanted to get away…first to escape the radical provincialism of my hometown of Berkeley, California by shipping off to ruggedly urbane Bryn Mawr College; then to leave behind the suburban rhythms of the Mainline weekend for the pulse of Manhattan on a Friday afternoon; soon enough to seek relief from New York City’s crushing demands by moving to big-sky Los Angeles, a deceptively taxing company town; and eventually to Asia when Hollywood’s mis en scene grew predictable.

Hitting a personal bottom on the far side of the world ten years ago -- as far from my birthplace as I could get without leaving the planet -- was transformative. The experience proved to me that geography is not my villain, it’s my way home.

Anastasia M. Ashman, writing from Istanbul, Turkey
Coeditor, Tales from the Expat Harem: Foreign Women in Modern Turkey


3-28-07 10:08PM: Nora Armani said...

You know you are home when your provenance is no more in conflict with your destination. When the past and the future convene in the present having come full circle.
You go away, only to come back... to yourself.
But do we really come back or do we just keep going forward, until the circle is full? We may be back at the starting point completely changed, but we are only seemingly different. We have more layers dug into us, more depth carved into our being, making us better able to contain the pain, the angst, the understanding and most of all the love needed to show us the way back...Home.


3-26-07 3:39PM: Rosanne Cash said...

Home is the end result of the process of elimination. I jettisoned emotional poverty, lack of communication, violence, solitude and monochromatic design theories, and I created a home out of the singularity that remained. There is nothing simple in that singularity, but it resonates with who I am, which is the definition of home.


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